From energy and heat to movement and connection, your body is doing more than you think. Knowing the science behind it can help you last longer, feel better, and actually enjoy the night.

🍎 Fuel properly

💧 Stay hydrated

👟 Protect your body

💞 Lean into connection

Want the full science-backed breakdown?

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The Mardi Gras social media carousel was designed to align with CSIRO’s established editorial style while engaging a younger target audience interested in the intersection of science, culture, and social experiences. Design decisions were guided by principles of strategic social media content, particularly the need to create content that is both visually consistent with the brand and relevant to audience interests (Sutherland, 2024).

Imagery played a key role in capturing attention and communicating the energy of the event. As original photography was not available, high-quality, free-license images from Unsplash and the source article were used. These images of festival participants were selected for their strong visual impact and ability to immediately convey the atmosphere of Mardi Gras. This reflects Sutherland’s (2024) emphasis on creating “valuable and interesting content” that resonates with the intended audience. The first slide uses a full bleed image with a black gradient overlay, allowing bold headline text to remain legible while maintaining visual depth, a technique commonly used in CSIRO’s existing posts.

Colour and typography were carefully adapted to balance the vibrancy of Mardi Gras with the brand’s more muted, editorial aesthetic. While the event itself is highly colourful, the design uses controlled colour and neutral tones to maintain consistency with the brand’s identity. The font choice, Inter, was selected to closely match CSIRO’s typography, ensuring readability and brand alignment. Bold text was used selectively to highlight key information, reflecting the brand’s approach to emphasising important ideas within dense content.

The carousel layout alternates between full image slides with gradient overlays and split layouts combining imagery with white text panels. This mirrors CSIRO’s common carousel structure and supports visual variety while maintaining cohesion. It also allows complex information to be broken into digestible sections, aligning with Sutherland’s (2024) point that social media content must be “appropriate and relevant to the audience being targeted”.

The key message of a “science backed survival guide” was chosen to engage a younger, urban audience by presenting scientific information in a practical and relatable format. Rather than simply summarising the article, the post reframes it into actionable insights about the physical and psychological effects of the event. The inclusion of a final slide focusing on connection and wellbeing broadens the message beyond physical survival, reinforcing the social value of the experience.

The call to action encourages further engagement by prompting users to access the full article, reflecting the role of social media in facilitating “two-way exchanges” between organisations and audiences (Sutherland, 2024). Overall, the design demonstrates a strong integration of brand identity, audience awareness, and strategic communication principles.

Beyond the typical strike, there are rare and unusual forms that challenge how we understand storms—from floating spheres of light to phenomena that exist high above the clouds.

These events reveal just how complex and unpredictable the atmosphere can be, and how much we’re still learning about the natural world.

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The lightning social media post was strategically designed to align with The Conversation’s established brand identity, while effectively engaging its target audience of educated Australian adults who value evidence-based journalism. Design decisions were informed by principles of strategic social media content creation, particularly the importance of producing content that is both audience-focused and aligned with organisational goals (Sutherland, 2024).

Visually, the use of photographic imagery and a muted blue-grey colour palette was intentionally selected to reflect The Conversation’s editorial style. The brand typically avoids overly bright or saturated colours, instead favouring a restrained and credible aesthetic. This aligns with Sutherland’s (2024) emphasis that social media content should be “appropriate and relevant to the audience being targeted”, reinforcing trust and professionalism. Additionally, the inclusion of layered ripped-paper textures was directly inspired by the brand’s existing visual language, ensuring consistency across posts and strengthening brand recognition.

Typography and layout were also carefully adapted. Bold headings placed within white text blocks were used to mirror the structure of The Conversation’s posts, enhancing readability and visual hierarchy. Information was segmented into boxed sections, allowing complex scientific concepts to be communicated in a clear and digestible format. This reflects the principle that social media content must present key messages in a way that is easily understood within a fast-scrolling environment (Sutherland, 2024).

The tone and messaging were specifically tailored to the target audience. The headline, “Lightning you’ve probably never seen,” functions as a curiosity driven hook while maintaining an informative tone. This approach aligns with Sutherland’s (2024) argument that content should move beyond simple promotion and instead provide “valuable and interesting content” to engage audiences. The inclusion of lesser-known phenomena, such as ball lightning and upper-atmospheric events, was intended to appeal to an audience that values depth, learning, and scientific insight.

Finally, the call to action, “Want to learn more about these rare lightning phenomena? Comment ‘more’, and we’ll send you the full article.” Was designed to replicate The Conversation’s existing engagement strategies. This reflects the understanding that social media is not just a broadcasting tool but also a platform for interaction and relationship building. As Sutherland (2024) highlights, social media enables “two way exchanges” that help build meaningful connections with audiences.

Overall, the design demonstrates a clear integration of brand identity, audience awareness, and strategic communication principles, reinforcing the importance of research-informed design in effective social media practice.

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